randulo’s unblog

Some of my most poignant musical memories took place in a club called
Shelley's Manne-Hole, in L.A. I lived there in the early 70's, way after
a deceased friend wrote about it as "a green and groovy place to be". It
was already a smoggy and brown place to be, but there was excitement as
a young musician trying to hook up with gigs and recording dates.
 
"Cop and blow" was always a big thing, go look at the people who changed
the idiom, like Bill Evans, Thelonious Monk, McCoy Tyner (Trane was
already dead and I never saw him play live) and lots of locals like
Bobby Hutcherson. In a jazz club, then as now, while brilliant talented
people compose gems live for you on stage, materialistic conversions
between dealers and hookers and their public go on unhindered.
 
Why "poignant"? Because in the case of Bill Evans and Monk, both were
visibly at the end of their tethers, tired, sick and almost beyond the
reach of the ecstasy that such artists must have felt in their earlier
gigs when they were moving up, not only in fame, but in power of
expression.
 
Wow, that seems so heavy I need to insert an anecdote that might make you
laugh as it does me when I recall it. This was in another jazz dive, The
Lighthouse in Redondo Beach. The band playing was Airto. He always had
to say, "Ey, Ear, Toe" and point to the body parts. Good musician and a
spirited human. His (wife?) was Flora Purim, remember she sang on Chick
Corea's Return to Forever version of Spain and all that. Another
far-reaching music innovation. So anyway, Airto and Flora are standing
next to each other at their mics and they each had a marked round pot
belly. The Brazilian music they were playing was loud and had a lot of
breaks to mark the rhythms. Conversation was impossible (not should one
want to converse) but my saxophonist friend Richard A. turned to me and
said, exactly at the moment of a four beat break, when the entire
crowded room was absolutely silent: "Can you imagine them shtupping?"
and then the music started up again.
 
 
Here's a link to a much earlier Bill Evans recording at Shelley's

I recall being recruited to play in a band up in Fresno while living in Newport Beach (or was it Costa Mesa? I've lived in both.) I asked the singer if it was more like southern or northern California. He said northern, which is true to some extent. Fresno was a funky place in the way I would say Seattle is a funky place, in a good way. I've lived in Seattle, too. Great place!
 
I was renting a place two blocks from the gig, rooming with a fellow band member. It featured a railroad triage yard  about 1 block away. I recall the rent was $80 a month. This was a while back :) I discovered that even the noise of crashing freight cars in the middle of the night is a sound you get used to and can sleep though. I also met a friend I still love dearly who lived next door. He cooked dinner for the two of us 5 nights a week for $1 each. These were good times.
 
One night in Ara's Apartments, the bar I played in 6 nights a week, someone was buying us round after round of tequila shots. I was pretty hammered and John had snagged a woman to spend the night with, so as I left, Brady, the rent a cop at the door said "Careful, there's a lot of new boys on the force out there". I do not condone drunk driving, so I too found myself a friend named Eileen and headed home.
 
When blonde Eileen and I walked in the door, it was obvious that anything of value had been stolen. Tape recorded, studio equipment, an old amp, stuff like that. There was also something written in lipstick on the mirror: "SMACK, i.e., the Kiss!". We probably waiting until the next day to call the police and they made much of the mirror writing, but we later found out it was John's ex-girlfriend Kay, who had left town. It was in fact, unrelated to the theft.
 
A few days later, I ran into a different, brunette Eileen I had known for a while in Ara's. As we left that night, she told me she had a motel room nearby and since she didn't want to disturb her roomate, why didn't we go over there? Well, sure, so we did. And as I opened the door, here was all my stolen equipment! The room was rented by a local thug, Eileen obviously didn't know anything about the theft or she would not have brought me over there. I chose not to pursue the thing because of the Fresno society of which I was a fringe member. You see, the "thug" and a large number of other shady people used to use Ara's as a place to go make drug deals. The owners and the cops had to be in on the whole thing.
 
Several months later, I brought an old girlfriend up there to live with me. Later still, I left and she stayed and got even more entrenched in the "scene" with hookers, drugs and who knows what else. She worked as a bartender at Ara's. One night, she saw two guys walk in, go right to the poolroom and blow away the owner of the place. Scratch that. Here's the eyewitness account from Mark's book:

It was 6:30 p.m., and the bar was empty when two men walked in. They looked to be from out of town, something in their fringed leather jackets and gloves. They ordered two draft beers and headed to the back room to play pool. Just across the way was my father's office, the door open. He was sitting at his desk working on the quarterly taxes. They played a game of eight ball and walked out.

Ten minutes passed and the two men walked back in. The place was still empty. Lewis asked if they wanted another beer. One of the men gave her an odd look, and the other headed straight back to the office and began shooting. My father fought back with everything he had. It took both gunmen to bring him down.

She was the only witness to the event and she was either smart enough to duck behind the bar and disappear, or maybe she knew somehow she was not in danger. The crime was never solved.
 
Ara's son Mark, who we saw as a little boy once in a while, became a reporter at the L.A. Times and wrote a book about the whole Fresno context of the time, called  In My Father's Name